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Vogue Interview | Cate Blanchett on Manifesto

When Cate Blanchett agreed to star in German artist Julian Rosefeldt’s Manifesto, she had no concept what number of roles she was taking over. “Initially, I assumed I might play about 4 characters. Julian thought I might play about 24. The 2 of us agreed to fulfill someplace in between – however I’ve a horrible reminiscence, and after I arrived in Berlin to start out filming, I used to be satisfied that it was 9 when it was 13,” she says, perched on a sofa with Rosefeldt in a set on the Haymarket Resort close to Trafalgar Sq.. Not that the shortage of preparation time appears to have fazed the Oscar winner. “The fact of appearing is that you are able to do all the homework on the earth for an element – however my relationship with efficiency is far more circus-like. I’ve to leap into somebody’s palms. They must catch me on the proper second. In any other case, there’s no trapeze act.”


And what a trapeze act. In Manifesto, Blanchett embodies a homeless man pushing a purchasing cart by way of a post-apocalyptic panorama; a shiny American newscaster (and the rain-beaten climate particular person she is interviewing); a Southern housewife studying grace round a dinner desk to her husband and youngsters; a puppeteer manipulating a doll-like model of herself; a funeral attendee delivering a tearful speech in a graveyard – amongst a number of different personas. Every one voices a textual content collage derived from a choice of greater than 50 manifestos – from Karl Marx’s communist treatise to Lars von Trier’s “Dogme 95”. Initially displayed as vignettes at 13 galleries world wide, the character research have now been rolled into a rare 90-minute movie obtainable to obtain or stream.


The avant-garde masterpiece was years within the making. Blanchett first met Rosefeldt at a gallery in Berlin in 2010, deciding to work with him on a mission that very same night time – but it surely was solely in 2014 that Rosefeldt discovered the appropriate idea. “I had learn plenty of inventive and political manifestos after I was learning – however I forgot about them till I got here throughout works by the Futurist poet and choreographer Valentine de Saint-Level,” he explains. “Then I began exploring different manifestos for a wide range of actions: Surrealism, Creationism, Vorticism, Dadaism, Minimalism…I had at all times seen these texts as works of historical past – however imagining Cate performing them immediately introduced them to life.”


A number of months later, he had a collection of monologues and a tough character sketch to go together with each – all of which he fastidiously refined with Blanchett over just a few days in New York. Her preliminary response to the scripts? “I used to be drawn to Julian’s work due to the quietness – after which he got here up with the polar reverse of a silent movie,” she laughs. “I used to be moderately distressed, however, you realize, I’d already stated sure.” As for whether or not she was nervous about taking over such an uncommon mission? “The quantity of textual content was nerve-wracking. I’ve by no means been an exhibitionist, and this required me to push myself to the restrict – however I’ve by no means been afraid of failing. I do it consistently!”

Manifesto is offered to look at now at manifestothefilm.com.

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